Queer Australian Art and KINK acknowledge the Aboriginal and Torres Strait Islander peoples as the traditional owners and custodians of the lands and waters of this continent. KINK conducts its work on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation in Naarm Melbourne, the Turrbal and Jagera peoples in Meanjin Brisbane and the Gadigal lands of the Eora Nation, Sydney. We pay respect to elders past, present, and emerging. Sovereignty was never ceded.

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Adrian Feint

He/Him
Born in Narrandera, New South Wales, Australia.

Bio

Adrian Feint (1894-1971) was an Australian artist most well known for his flower paintings and his work with bookplates. Born in Naranderra, NSW, he commenced his studies at Sydney Art School in 1911. After serving in Europe during the First World War, Feint returned to Australia. He studied plate etching from 1922 to 1926; woodblock-engraving from 1926 to 1928 (with assistance from Thea Proctor in 1927); and oil painting beginning in 1938, with Margaret Preston. In 1924 he became co-director of Grosvenor Gallery, Sydney, whose exhibitors included Thea Proctor, Elioth Gruner, Margaret Preston, Roland Wakelin, Roy de Maistre and George Washington Lambert. He worked for many years with editor Sydney Ure Smith on the journal Art and Australia, and also produced numerous covers for Smith's magazine The Home between 1927 and 1939. While publicly appearing as a bachelor, his life partner was John Winter. The pair met in 1930 and lived together for twenty three years in an apartment in Darnley Hall, Elizabeth Bay. Described as a 'remarkably handsome man but discreetly dressed', Feint died in Sydney in 1971.

Based in

Gadigal (Sydney), New South Wales, Australia