Queer Australian Art and KINK acknowledge the Aboriginal and Torres Strait Islander peoples as the traditional owners and custodians of the lands and waters of this continent. KINK conducts its work on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation in Naarm Melbourne, the Turrbal and Jagera peoples in Meanjin Brisbane and the Gadigal lands of the Eora Nation, Sydney. We pay respect to elders past, present, and emerging. Sovereignty was never ceded.

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Anne Dangar

She/Her
Born in Djangadi (Kempsey), New South Wales, Australia.

Bio

Anne Dangar (1885–1951) was an Australian-born artist who was renowned for her innovative pottery designs which fused traditional techniques with modernist motifs. Dangar was trained in Sydney as a painter under Horace Moore-Jones and later at Julian Ashton’s School of Art, where she taught from 1920 with fellow artist and rumoured lover Grace Crowley. Dangar travelled to Paris, France with Crowley, studying at the Paris academy of French Cubist André Lhôte. Dangar briefly returned to Sydney, attempting to introduce the modernist ideas she had learnt in France but was met with resistance amongst her conservative colleagues. In 1930 Dangar returned to France where she would remain until she died in 1951. Upon her return to France, she joined the Moly-Sabata artists’ commune where she learnt the traditional skills of local village pottery. firstly at the Poterie Clovis Nicolas, in St Désirat, Ardèche, in 1930-31, and from 1932 under Jean-Marie Paquaud at the Poterie Bert, Roussillon, Isère. She also became an active art and craft teacher to the local village children. Despite her physical distance, Dangar played a pivotal role in the development of Sydney’s cultural and artistic landscape through her letters to Crowley. Dangar’s work is found in several collections in Australia and France including the Musée National d’Art Moderne, Paris.

Based in

Gadigal (Sydney), New South Wales, Australia
Sablons, France