Queer Australian Art and KINK acknowledge the Aboriginal and Torres Strait Islander peoples as the traditional owners and custodians of the lands and waters of this continent. KINK conducts its work on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation in Naarm Melbourne, the Turrbal and Jagera peoples in Meanjin Brisbane and the Gadigal lands of the Eora Nation, Sydney. We pay respect to elders past, present, and emerging. Sovereignty was never ceded.

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Callum McGrath

He/Him
Born in Meanjin (Brisbane), Queensland, Australia.

Bio

Callum McGrath (b.1995) is an artist and researcher based in Naarm/Melbourne. McGrath’s desire to make and research stems from an interest in rearticulating and challenging dominant models and institutionalised aesthetics of historiography and archiving. McGrath’s research engages with underrepresented and undocumented aspects of queer history, by reimagining these pasts via an idiosyncratic and unconventional approach to image-based forms.

McGrath’s practice rearticulates institutionalised aesthetics of historiography, memorials, and archiving. Among his recent exhibitions include; The Party, UNSW Galleries, Sydney (2023); Embodied Knowledge, Queensland Art Gallery/ Gallery of Modern Art, Brisbane (2022); The Weatherman, Metro Arts, Brisbane (2021); The Gay Agenda, The Walls, Gold Coast (2021); To Resound, Unbound, Centre for Contemporary Photography, Melbourne (2021); and Deviations, Brisbane Art and Design Festival (2021). In 2022 McGrath curated a cinema program titled In Queer Time at the Australian Cinémathèque at the Gallery of Modern Art, Brisbane. McGrath is also a founding contributor to KINK, a collective researching a history of queer Australian art. McGrath is currently a PhD candidate at Monash Art Design and Architecture, Monash University.

Based in

Naarm (Melbourne), Victoria, Australia
Meanjin (Brisbane), Australia

Included within these publications