Queer Australian Art and KINK acknowledge the Aboriginal and Torres Strait Islander peoples as the traditional owners and custodians of the lands and waters of this continent. KINK conducts its work on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation in Naarm Melbourne, the Turrbal and Jagera peoples in Meanjin Brisbane and the Gadigal lands of the Eora Nation, Sydney. We pay respect to elders past, present, and emerging. Sovereignty was never ceded.

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David McDiarmid

He/Him
Born in nipaluna (Hobart), Tasmania, Australia.

Bio

David McDiarmid (1952–1995) was a leading gay activist and artist who worked in Melbourne, Sydney and New York. As an early gay liberation activist, he wrote for and illustrated the Sydney Gay Liberation newsletter and Gay Liberation Papers. His first gallery exhibition in Sydney in 1976 focused on gay male identity and sexual liberation themes. McDiarmid’s creative output encompasses art, design, craft, fashion and music. It also sits at the intersection of activism, art, and community art, with gay rights and identity politics being the primary focus in his contemporary art and graphic design. He moved to New York in 1979 where he lived and worked until 1987. Reflecting on his own work in 1992 he said: “I wanted to express myself and I wanted to respond to what was going on and I wanted to reach a gay male audience. I wanted to express very complex emotions and I didn’t know how to do it . . . I was in a bit of a dilemma. I thought, well, how can I get across these complex messages. I didn’t think it was simply a matter of saying gay is good.” McDiarmid designed posters for Sydney Gay and Lesbian Mardi Gras, Pride and Leather parties, safe sex and World AIDS Day campaigns and he was artistic director of the Sydney Gay and Lesbian Mardi Gras parade. He was diagnosed HIV positive in New York 1986 and from his return to Australia in 1987 his work was concerned with HIV/AIDS experience and politics. His famed Safe Sex and Safe Injecting posters of 1992 designed for the AIDS Council of NSW were an international sensation after they were shown at the 1993 international AIDS conference in Berlin. The Rainbow Aphorisms, a series of digital works created between 1993 until shortly before McDiarmid's death of AIDS-related conditions in 1995, is a key example of his political savvy and wit, combining gay and queer activism with tongue-in-cheek statements, pointed truths, and messages of hope. His work has been widely collected by institutions and in 2017–18 his Rainbow Aphorisms featured throughout the London Underground transport network as part of the ongoing Art on the Underground program, a presentation initiated by London's Studio Voltaire and the David McDiarmid estate. In 2014, McDiarmid was the subject of the major survey exhibition David McDiarmid: When This You See Remember Me at the National Gallery of Victoria, Melbourne. His work continues to be shown internationally.

Based in

Naarm (Melbourne), Victoria, Australia
Gadigal (Sydney), Australia