Queer Australian Art and KINK acknowledge the Aboriginal and Torres Strait Islander peoples as the traditional owners and custodians of the lands and waters of this continent. KINK conducts its work on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation in Naarm Melbourne, the Turrbal and Jagera peoples in Meanjin Brisbane and the Gadigal lands of the Eora Nation, Sydney. We pay respect to elders past, present, and emerging. Sovereignty was never ceded.

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Hiram To

He/Him
Born in Hong Kong.

Bio

Hiram To (杜子卿) (1964-2017) was an artist who worked in conceptual-based installations. He was also a writer in the visual arts, popular culture, film and fashion. Born in Hong Kong to Chinese parents, Hiram To lived in Scotland and Australia. He has widely exhibited in Australian public galleries and internationally, with works acquired by institutions such as the National Gallery of Australia, Powerhouse Museum and the Queensland Art Gallery. Hiram was invited by London’s Camden Arts Centre to exhibit a one-person exhibition in 1994. The invitation was the first Chinese artist solo show at a British contemporary art museum. The Winnipeg Art Gallery, the State Gallery of Manitoba in Canada also presented a selected projects survey of the artist in 2002.

He was one of three artists representing Hong Kong at the 52nd Venice Biennale in 2007. As a curator, he has collaborated with Institute of Modern Art Brisbane, Artspace Sydney, Ipswich Regional Art Gallery and Next Wave Festival in Australia, and Hong Kong’s Goethe-Institut.

Since 1995, he resided in Hong Kong and worked in communications and journalism. His writings have appeared in South China Morning Post, Harpers Bazaar Hong Kong, C for Culture, City Magazine, The Standard and many other English and Chinese language publications. Hiram To’s work tackles the nature of changing identity and its relationships with the mass media and personal / public interface. Taking reference from a wide variety of sources such as literature, film, art and popular culture, he creates multi-layered installations that embrace and challenge the way that identity is constructed or fragmented.

http://www.randian-online.com/np_news/hiram-to1964-2017-dont-let-me-be-misunderstood/

Based in

Meanjin (Brisbane), Queensland, Australia