Queer Australian Art and KINK acknowledge the Aboriginal and Torres Strait Islander peoples as the traditional owners and custodians of the lands and waters of this continent. KINK conducts its work on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation in Naarm Melbourne, the Turrbal and Jagera peoples in Meanjin Brisbane and the Gadigal lands of the Eora Nation, Sydney. We pay respect to elders past, present, and emerging. Sovereignty was never ceded.

Search
Filter
(X)
Birthplace (City)
Birthplace (State)
Based in (City)
Based in (State)
Gender
Birthplace (City)
Birthplace (State)
Based in (City)
Based in (State)
Year
Decade
Artwork type
Collection
Exhibition type
Year
Venue
State
Year
Category
(artist)

Mary Cockburn Mercer

She/Her
Born in Scotland.

Bio

Mary Cockburn Mercer (1882–1963) was an Australian painter prominent in the interwar period who became known for her decadent nudes. Born in Scotland, Mercer grew up in the Western Districts of Victoria, Australia until moving to Europe with her mother as a young teenager to complete her education. At seventeen Mercer ran away to Paris where she lived a bohemian life in Montparnasse, making friends with numerous artists including Pablo Picasso and Marc Chagall. During the 1920s Mercer worked at L’Académie Lhote in Paris as a studio assistant. During this time Mercer became intimate with Janet Cumbrae Stewart, a relationship that would reignite many years later in Melbourne, Australia. During Mercer’s time in France, much like other Australians including Grace Crowley and Dorrit Black, she was influenced by André Lhote’s teachings that promoted Cubism and combinations of basic geometric forms. Before returning to Australia in 1938, Mercer lived in Cassis, on the island of Capri, Spain, Tahiti and an island off Guam where she met the painter, Ian Fairweather. After returning to Melbourne, Mercer rented an apartment on Bourke Street where she lived and held art classes, her students included Lina Bryans and Colin McCahon. Mercer exhibited her work with the Contemporary Art Society, often shocking audiences with her frank depiction of sexuality. In 1953 Mercer returned to France where she would stay until she died in 1963.

Based in

Naarm (Melbourne), Victoria, Australia
Paris, France