Queer Australian Art and KINK acknowledge the Aboriginal and Torres Strait Islander peoples as the traditional owners and custodians of the lands and waters of this continent. KINK conducts its work on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation in Naarm Melbourne, the Turrbal and Jagera peoples in Meanjin Brisbane and the Gadigal lands of the Eora Nation, Sydney. We pay respect to elders past, present, and emerging. Sovereignty was never ceded.

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Michele Barker

She/Her

Bio

Michele Barker is an artist and academic working in the field of media arts with a focus on experimental cinema as a way of exploring the perception and experience of time and embodied engagement with the environment. Her work, in extensive collaboration with Anna Munster, has been included in Vidarte, the Mexican Biennale of Video Art; The Museum of Contemporary Art (MOCA) Taipei, The Photographer’s Gallery, London; FILE Festival, Sao Paolo; Museum of Art, Seoul; and the Art Gallery of New South Wales. Out of a residency at Eyebeam in New York they developed the award-winning work, Struck, which has been exhibited in Australia, the US, China and Taiwan. Largescale works include: évasion, an 8-channel responsive installation; and the multi-channel interactive work, HokusPokus, jury-selected to represent Australasia as part of the International Festival of Digital Art and the Cultural Olympiad in London in 2012. In 2017, they were commissioned to create pull for Experimenta Make Sense: Triennial of Media Art, touring Australia, 2017–20, and most recently, hold (2019), both of which use water as a force outside humans’ short ‘moment’ in geological time in order to explore time and embodied perception. Currently, as the result of an Ars Bioarctica residency in Kilpisjärvi, they are working on a new project that extends our examination of duration and felt experience into the realm of geotime.

Based in

Gadigal (Sydney), New South Wales, Australia