Queer Australian Art and KINK acknowledge the Aboriginal and Torres Strait Islander peoples as the traditional owners and custodians of the lands and waters of this continent. KINK conducts its work on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation in Naarm Melbourne, the Turrbal and Jagera peoples in Meanjin Brisbane and the Gadigal lands of the Eora Nation, Sydney. We pay respect to elders past, present, and emerging. Sovereignty was never ceded.

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(artist)

Philip Juster

He/Him
Born in Naarm (Melbourne), Victoria, Australia.

Bio

Philip Juster (1952-2004) was an Australian gay artist who worked across various media and came to prominence in Sydney during the 1990s. Art critic John McDonald describes him as a figure "whose interests defied the stereotypes ... Juster showed an early taste for politics, declaring himself a Maoist while still at Clontarf High School. Throughout his life he would have an abiding interest in the culture of China, India and South-East Asia, and later the Pacific Islands. This found its way into his paintings and collages through extensive appropriations ... as his political convictions became less ferocious Juster adopted a more satirical, irreverent approach. In this, he claimed to be influenced by the Punk movement, Dada, and Andy Warhol, once memorably described as 'the nothingness himself'. Juster may also have been affected by his long-term partner, Peter Blazey (1939-97), a larger-than-life character who defied all categorisations. Their relationship broke down in the early 1990s" [1].

In 2023, his work was shown in the exhibition 'Being Boring: More Dead Gay Artists', curated by Robert Lake at Darren Knight Gallery, Sydney.

[1] John McDonald, "Jim Anderson/Philip Juster", 26 February 2011.

Based in

Gadigal (Sydney), New South Wales, Australia

Resources

Website