Queer Australian Art and KINK acknowledge the Aboriginal and Torres Strait Islander peoples as the traditional owners and custodians of the lands and waters of this continent. KINK conducts its work on the unceded lands of the Wurundjeri Woi Wurrung and Bunurong peoples of the Kulin Nation in Naarm Melbourne, the Turrbal and Jagera peoples in Meanjin Brisbane and the Gadigal lands of the Eora Nation, Sydney. We pay respect to elders past, present, and emerging. Sovereignty was never ceded.

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Rosaleen Norton

She/Her
Born in Dunedin, Aotearoa.

Bio

Rosaleen Norton (1917–1979), who used the name of "Thorn", was an Australian artist and occultist who adhered to a form of pantheistic / Neopagan Witchcraft largely devoted to the Greek god Pan. She lived much of her later life in the bohemian area of Kings Cross, Sydney, leading her to be termed the "Witch of Kings Cross" in some of the tabloids.

Her paintings often depicted images of supernatural entities such as pagan gods and demons, sometimes involved in sexual acts. These caused significant controversy in politically conservative Australia during the 1940s and '50s, with Christianity as the dominant faith. The authorities dealt with her work harshly, with the police removing some of her work from exhibitions, confiscating books that contained her images, and attempting to prosecute her for public obscenity on a number of occasions.

According to her biographer, Nevill Drury, "Norton's esoteric beliefs, cosmology and visionary art are all closely intertwined – and reflect her unique approach to the magical universe. She was inspired by the 'night' side of magic, emphasising darkness and studying forms of sex magic which she had learned from the writings of English occultist Aleister Crowley."

Based in

Gadigal (Sydney), New South Wales, Australia

Resources

Website