Queering the collection: Art Gallery of New South Wales

Adela Dora Ohlfsen-Bagge (22 August 1869 – 7 February 1948), known professionally as Dora Ohlfsen, was an Australian sculptor and art medallist. Born in Ballarat in 1869, she left Australia in 1886 and lived most of her life in Rome. Her first prominent work was a bronze medallion, *The Awakening of Australian Art* (1907), which won an award at the 1908 Franco-British Exhibition in London and was purchased for the Petit Palais in Paris. In 1948 Ohlfsen and her lifelong partner, Russian countess Hélène de Kuegelgen (Elena von Kügelgen), were found dead in their apartment in Rome as a result of a gas leak. The police deemed the death accidental, but there were speculations that it was suicide. The women were buried together in the city's non-Catholic cemetery, and friends packed up the contents of Ohlfsen's studio, which have never been traced. Twenty-five of Ohlfsen's works are known to have survived, out of at least 121.

Born in Portland in southwest Victoria, Agnes Goodsir (1864–1939) initially painted still lifes before applying herself to the challenge of portraiture. During the late 19th century she studied at the Bendigo School of Mines in Victoria under the tutelage of the artist Arthur Woodward, who insisted that students be exposed to international cultural circles. Goodsir set her sights on Great Britain and France, venturing overseas to “find herself” at the mature age of 36. She enrolled at the Parisian art schools of the day: the Académie Delécluse, the Académie Colarossi, and the Académie Julian. Her works were featured in the seasonal salons of Paris, gaining her significant attention and resulting in a steady flow of commissions. She moved to London (where she also exhibited at the Royal Academy and the Royal Institute) prior to the onset of the First World War. Resettling in Paris in 1921, Goodsir made her home in Rue de l’Odeon on the Left Bank with her companion and muse, Rachel Dunn, who appeared in many of her paintings. In 1926, Goodsir was made a member of France's Société Nationale des Beaux Arts, one of few Australians to receive the honour. She returned to Australia in 1927 for several months, bringing a large selection of her work for solo exhibitions in both Melbourne and Sydney, and receiving significant media attention as a result. Goodsir died in Paris in 1939, leaving the majority of her estate to Dunn.